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Mombaroccio

Mombaroccio is another repeat visit from our last trip. We of course parked outside of the city center, since we don't have a parking permit for the center. One cannot be in too much of a hurry when getting in or out of these historic areas; the narrow openings can definitely cause traffic jams. Even Mombaroccio's Porta Maggiore is narrow.

The Porta Maggiore to Mombaroccio with a car exiting while another car waits to enter.

Once inside the village, most of the roads are still very narrow. A man passing by us offered to take our photo so you have a size reference for the width of the so-called road.

A side street in Mombaroccio, with high walls on each side, and a connector between the buildings built over the road.

Paul and Anne standing in front of the side street

A public garden provides access to a look-out point on the city wall.

Anne standing near a bench and looking out over a wall to the Marche countryside.

Looking from the top of the wall down the street.

If we are ever in the area in the beginning of December, we will definitely have to visit their Christmas festival, Christmas in Mombaroccio. But it was too early for that. The village also has a history museum, but there was a sign stating it was closed that day. While Anne was despondently looking at the sign, a man in a historic costume came up and said that he could let us in for a short visit. He explained that the museum was closed because he was going to be working with a school group who was doing a film as a school project, but there was a bit of time before they arrived so he let us in. We don't think it has anything to do with the museum, but this cute fellow greeted us on the way in.

Wood log carved to have a face.

A little sign describing the museum said (in Italian):

The Museum of Rural Civilization was born in the 1980s thanks to the happy cultural intuition of the Pro-Loco Committee, the great work of some volunteers, the donation of unique tools from the community and the constant collection over the years by the Pro-Loco itself . The trust in granting the basements of the former Girolomini Convent to the Municipal Administration. Only thanks to these agreements, today we have such an interesting Museum that houses rare tools for work and life in our compatriots, which are our history.

Our mothers might recognize the reference to a Pro-Loco committee, since a book they both read (The Italian Villa) that was set in Italy includes activities of the village's Pro-Loco. As noted above, Mombaroccio's museum is in the basement and at the bottom of the stairs is a 'neviera', or a room where people put snow to preserve food. Yes, Italian has a word for it. They have a clay pot in the area to represent what one type of storage container that would have been used.

An open gate that leads to stairs going down to a tunnel with rooms. There is a clay pot on a platform that is on the right of the staircase.

A closer picture of the clay vessel, with a flat bottom, round shape, and a protrusion that can act as a handle.

It must have been dark down there before the invention of electric lights, and even with the first fainter lights. This little display reminds us of that, with a variety of lanterns, mostly candle or oil operated.

A small underground room with a shelf along 2 of the 3 visible walls. On the shelf are various lanterns and candles. There is also a fire extinguisher, a sign indicating the way to an emergency exit, and a bright electric light that is pointed at the ceiling.

In this kitchen scene, you can clearly see that the museum is in a basement. On the right is the fireplace with various cooking and warming tools. On the shelves on the wall beyond that are what look to be coffee grinders. Continuing to the right are sifters above a storage chest and then various types of wine bottles on a shelf below the window. By the sink is a cradle for the baby of the family.

A kitchen scene as described above.

These signs say 'Objects used for warming one's hands/feet/beds' and 'We kindly ask that you do not touch the exhibit objects.'

A shelf with two objects. One is wood and roughly square with a handle in the middle and space for hot coals. The other is a metal bowl with handles.

They had a lovely looking loom on display. In the background you can see related objects, such as a spinning wheel, cloth, and a carding station. (Carding is the process of cleaning fiber of debris in preparation for spinning.) Nearby was a sewing machine. The print above it is not famous enough to turn up on an internet search.

A loom with some sample work on it.

An old Winselmann brand treadle sewing machine

There were many other types of tools on display, including this large selection of wood hand planes.

A slightly cluttered photograph with some shelves of hand planes along with a few other tools.

In with some agricultural equipment such as plows was a scale to weigh silkworm thread. This surprised us, although it probably shouldn't have. Italy was the most important producer of silk during the Medieval age, and it was probably common in many villages for many years. The sign on the wall to the right of the scale is publicizing a market that was to be held at this former convent, 'a comfortable and suitable place in every respect.'

In the center of the photo is a large platform of a scale with some sample mulberry bush branches and silk worm cocoons on it. Below that is a plow. On the left are more scales.

Other agricultural tools that they had were this interesting seed sowing machine, and this grain winnowing machine.

A device with a large wheel on each side of a shallow covered chest. Protruding down from the chest are 6 tubes to put seeds into a furrow.

A wooden frame that has large perforated rollers in it, with perforations of different sizes, and wooden bins underneath to collect what falls out.

Both historically and today, bee keeping is important both for pollinating and collecting honey. Paul is taking a picture of a honey extractor, similar to the one we own.

Paul taking a photograph of a metal tank that has some racks inside it and a handle for turning the racks.

This next picture is of an Oil Room. What makes the room unique is that the floor slopes down to the center of the room, where there is a small well to collect and recover spilled oil.

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Of course wine making has always been important in Italy, and they had various items related to wine making. In this picture you can see the corking machines that are basically the same as the one we have at home (except ours is plastic & metal, not wood and metal).

On the bottom right of this photo are two devices with long handles and small adjustable platforms; the handle is used to insert a cork into a wine bottle. Also in the photo are jugs, funnels, and other tools.

One end of the basement has a large door to the exterior of the building. Through this door they could bring in the larger items, including carriages. Here is a picture of the very large door and two old buggies. Then is a photo of a large wheat threshing machine. After the wheat went through the thresher, the remaining grain would have been put through the winnowing machine shown above.

Two old black carriages, or buggies, one having only two wheels and the other having 4, both with long poles to secure to horses.

A large light colored wooden object that looks like a train car, with some ropes & pulleys on the side.

Another more ornate carriage had a sign that says 'example of an agricultural wagon used by settlers in the Marche countryside'. On the top of the shaft in front is a small model of one of these carriages showing how it would have been pulled by an ox. This particular type of carriage is called a 'Baroccio' in Italian. Although it is not known for certain, we read a theory that the name of this village, Mombaroccio, comes from these baroccio.

An attractive looking carriage with decorative painting on the sides. On the walls are also ox bows.

Off of the basement area are also, in addition to the neviera shown earlier, other 'grotte di tufo', or soft rock caves. These are the caves where people would have hidden back in Medieval times. They are definitely further underground than the basement. The stairs lead up to an emergency exit.

Anne inside a tunnel with side room entrances visible

A fairly steep set of stairs inside the cave

By this time the school group was ready and we had to leave. Before we left, the nice man who let us in had us put on some historic hats and took a picture of us in front of the baroccio.

Paul and Anne standing in front of the ornate carriage. Paul has a small hat one and Anne is wearing a very large brimmed hat.

We then went to the bar and had a cup of tea (Anne) and an espresso (Paul) before leaving Mombaroccio.

A teacup with a tea bag wrapper next to it.

Updated July 2024